It is Italy, as in the untouchables and an episode of the Simpsons where they go. I am assuming it is an Italian opera. If you know the opera thats great, but if one last song, then the find amazing.
The opera Pagliacci and the final Canio's aria from No! No Pagliacci not son. Devestating opera. Vesti la giubba enters middle of the opera (someone suggested that as the final aria, but it is not). You can that you have in mind, however. You could always go online and check to see the 2 by a music site, if what it is. You reach at least 20-30 seconds listen. Best for you.
YAN AYRTON s choice of the 15 greatest OPERA Overtures . A TRIBUTE to bel canto .
Deep witihn the dark passageways and chambers of the Paris Opera House lurks one of literature’s greatest creations; the mysterious masked figure now known as the Phantom of the Opera….
Disc 1:Le nozze di Figaro (The Marriage of Figaro), opera, K. 492: Porgi amorMartha, opera: M`appariMadama Butterfly (Madame Butterfly), opera: Un bel diAida, opera: Se quel guerrier…Celeste AidaLa Traviata, opera: Ah fors`e lui…Sempre liberaTosca, opera: Dammi i colori…Recondita armoniaLa bohme, opera: Che gelida maninaChrubin, opera in 3 acts: Lorsque vous n`aurez rien a faireDie Zauberflte (The Magic Flute), opera, K. 620: Dies Bildnis ist bezaubernd schnTurandot, opera: Signore ascolta!Tosca, opera: E lucevan le stelleRigoletto, opera: Gualtier Malde…CaronomeRomo et Juliette, opera: L`amour L`amour! Ah! Leve toi soleilTristan und Isolde, opera, WWV 90: Mild und leiseTristan und Isolde, opera, WWV 90: Mild und leise
Sing along to a selection of some of opera’s greatest hits. Warm up your voice with handel’s sublime ‘lascia ch’io pianga’, luxuriate in the tuneful ease of mozart’s ‘porgi amor’, and get in touch with your inner hero with puccini’s ‘nessun dorma’! This c
Disc 1:Madama Butterfly (Madame Butterfly), opera: Bimba, bimba, non piangereLa Rondine (The Swallow), opera: Chi il bel sogno di DorettaAida, opera: Se quel guerrier io fossi; Celeste AdaDon Giovanni, opera, K. 527: L ci darem la manoRigoletto, opera: Gualtier Mald…Carno nomeTosca, opera: E lucevan le stelleIl Trovatore, opera: Che pi# t`arresti?Il Trovatore, opera: Tacea la notteIl Trovatore, opera: Di tale amor che dirsiDon Giovanni, opera, K. 527: Il mio tesoroLa bohme, opera: O soave fanciullaL` elisir d`amore, opera: Una furtiva lagrimaLa bohme, opera: Quando me`n vo`Le nozze di Figaro (The Marriage of Figaro), opera, K. 492: Voi che sapeteOtello, opera: Gi nelle notteTurandot, opera: Nessun dormaMadama Butterfly (Madame Butterfly), opera: Bimba dagli occhiMadama Butterfly (Madame Butterfly), opera: Vogliatemi beneOtello, opera: Quando narraviOtello, opera: Venga la morte!
Would I want to be a Cantonese opera singer? I attended a workshop at the Hong Kong Heritage Museum and found the answer to that question. I learned there are 350 kinds of Chinese opera- each based on a different Chinese dialect. Cantonese opera is the genre most common in Hong Kong. The young woman who was our opera workshop instructor had been studying opera for five years. She told us she was only a beginner. It takes more than twenty years to become a really good performer. This explains why many ‘opera stars’ are over the age of fifty. Our guide taught us how to distinguish between male and female, and comic and tragic opera characters by their dress, make-up, voices and body movements.
After she had introduced us to the plot line of an opera we tip toed into a theatre where an opera was in progress and watched it for about twenty minutes. The female character sang in a falsetto voice all the time. The singers didn’t always seem to know where the tune of their song was leading them and the audience was talking throughout the performance. Later our guide told us there are no written or designated notes in Chinese opera scripts. Actors are provided with only a set of lyrics. The singers make up the tune as they go along. The tradition of female characters using a falsetto voice is an ancient tradition stemming from a time when only male performers were allowed on the stage. They used a falsetto voice to sound feminine. A Chinese opera is apparently performed as a tribute to the gods. Since the deities are the intended audience, the human audience can talk and even eat or play games like mahjong or chess while the opera is going on without insulting the performers.
The second part of our tour took us through a museum exhibit where we saw opera costumes. They are extremely ornate and very expensive to create. Our guide explained the thick face paint worn by characters. Evil villains wear mostly white make-up, while good heroes have predominantly red faces. The museum had a computer program set up that allowed you to put on the make-up and costume of a classic opera character. You chose a character, positioned your face on the computer screen and then waited for your face to appear in the costume and make-up of that character. I chose a Warrior Woman. I thought I looked quite stunning in my Cantonese opera persona and even took a photo of myself.
Although I thought I looked quite powerful and exotic in my costume I found out several things about Chinese opera singers during the workshop that would make me think twice about becoming one. Cantonese operas are between four and five hours long. Actors must memorize thousands of lines. Opera costumes weigh many pounds and female actresses wear narrow toed, high-heeled shoes. Most performances are held outside in the humid heat. Although it was fun to learn more about Cantonese opera and even see how I would look as a Chinese opera singer, I don’t think I’d like to be one.
