How can MP3 player into my stereo's input is not () must have a radio?
I was thinkinf it would be nice if an input / jack adapter or To find converters. does something, so there? I have a stereo and I want to input sound from the MP3 player. I thought that would be an audio cable is best, but then I need a method to convert from the headphone jack that the MP3 player has. Any body have an idea? or is there an easier way to download music from an MP3 player to your stereo to get?
if you have a tape deck, you can buy a tape deck adapter. approximately $ 10 CAD.
Pioneer Premier® DEH-P400UB CD/MP3/WMA WAV/AAC/iTunes Car Stereo Receiver with Built-in USB Input and Control
Keep entertainment in your vehicle at all times with this multimedia player from Naxa. This in-dash unit has a 3-inch LCD display, built-in USB input, a SD/MMC card slot and a detachable panel with a carrying case.
This powerful megaphone projects your normal voice loud enough so kids will come running. Take the speaker with you to your kids’ games or use to call them in for dinner.
This powerful megaphone projects your normal voice loud enough so kids will come running. Take the speaker with you to your kids’ games or use to call them in for dinner.
Small enough to fit in the palm of your hand, this cable is a simple solution to connect your devices together. This cable is compatible with all MP3 players and devices with a 3.5mm input.
The Naxa NX-252 portable DVD player is great for a portable DVD experience. With many different power, format, and input options, you are basically free to watch what you want, when you want it with this DVD player.
Customize the sound of your stereo with this stereo control pre-amplifier. This pre-amplifier features a five-function equalizer, an input source selector and several input RCA jacks.
A built-in cooling fan and gold-plated RCA inputs help to enhance the high quality sound of this car amplifier from Kenwood. This 2-channel amp also has speaker-level inputs with signal sensing for automatic turn-on.
Update your audio equipment with PylePro 16-channel power mixerDJ equipment features 16 mono input channels with gold plated XLR balanced inputsUltra low noise discrete mic preamps with +48 v phantom power
Connect your iPod nano or 2G iPod shuffle on the cradle with easy 3.5mm stereo input connectionAlternative Auxiliary Input for additional connectivityOperates with batteries, USB power or AC adapter
This cable provides a solution for connecting deskptops/notebooks computer to a video display with built-in speakers. This cable provides an ideal solution to use with projectors, flat panel displays, switches, and other video devices with stereo input.
This 2.0 portable speaker can be attached to any MP3 player with the provided 3.5mm stereo input cable and also works with portable CD players portable gaming devices and laptops. It is powered through its USB cable, or batteries.
60 Watts Total Power Output5.25-inch long-throw woofer driver delivers low frequency bassStereo analog (left/right) RCA inputs compatible with TV audio output
Package includes a VGA cable for the Xbox 360 and a 3.5 mm stereo RCA adapter cableHigh quality graphics on your PC monitor / HDTV / TVs / or projectors using the VGA inputHigh quality audio with included stereo connection
Customize the sound of your stereo with this in-dash four-band parametric equalizer from Pyle. This equalizer is a half-DIN size and features a 3.5 mm jack, DVD/AUX input selector, sub output control, and unique blue light illumination.
Provides high quality graphics on your PC monitor/HDTV or projector using VGA inputPlay high quality audio with the included stereo connection or utilize the optical audio port for digital sound
This two-channel rack-mountable amp has 4000 watts of power. Each input takes RCA, XLR, or 1/4-inch phono for use in stereo, mono, or bridge mode for maximum output. A clipping LED reminds you to turn it down if your signal is distorted.
This Stereo Cable (3.5mm) to RCA (Red, White) provides easy conversion for interchanging your devices. This cable allows connection from PC’s, laptops, MP3 players, and any other 3.5mm compatible devices to standard TV inputs.
the Original Usb Audio Adapter! Imic Lets Mac And PC Users Add Stereo Input And Output to Usb Computers Even if They Lack Audio-in or -out Ports. Imic Allows You to Connect Microphones And Other Input Devices to Your Ibook, Powerbook, Powermac or Other Mac or PC Systems. All You Need is a Usb Port. Imic Supports Both Mic And Line Level Inputs Via a Selectable Switch, And Provides a Line-level Output For Connecting Speakers or Headphones. [GC16031] UPC: 085387302589 UNSPC: 26121600 6.3L x 5W x 0.9H 0.15 LB
The Peterson SR-EX StroboRack Pro Input Expander module allows you to add balanced, stereo and mono in/outputs to your existing StroboRack tuner, enabling use with stereo, hybrid, and balanced instrument signals. A built-in DI, footswitch selectable outputs and presets make it a no-brainer for live and studio use.
The Peterson SR-EX StroboRack Pro Input Expander module allows you to add balanced, stereo and mono in/outputs to your existing StroboRack tuner, enabling use with stereo, hybrid, and balanced instrument signals. A built-in DI, footswitch selectable outputs and presets make it a no-brainer for live and studio use.Mono, stereo & balanced In/Outputs Built-in active DI w/ ground lift Channel switching options Preset remote controls
The Control SB-2 subwoofer provides low-frequency reinforcement in subwoofer/satellite systems. The Control SB-2 is ideal for foreground music and music/paging systems in restaurants, retail establishments, theme bars, music cafes, health clubs, and other indoor applications. The unique slot-load vented design provides acoustic low-pass filtering. Compared to traditional bandpass subwoofers, the JBL SB-2 subwoofer offers superior musical clarity and bass impact. The satellite outputs are high-pass filtered, reducing overall system distortion by eliminating the need for the satellite speakers to reproduce frequencies in the low bass range. The satellites operate more efficiently, maintaining excellent midrange clarity and realism in music and paging. The high-pass filtering also allows a greater number of satellite speakers to be paralleled in the system by increasing the impedance the amplifier sees in the subwoofer range. The stereo inputs are 8 ohms each. The combination of the satellite high-pass filtering, the acoustic slot load filtering and a built-in second order low-pass crossover network results in smoother overall system frequency response and virtually eliminates the muddiness typical of other subwoofer/satellite systems by reducing frequency overlap in the low midrange. You can’t go wrong with speakers from the company whose name is synonymous with cinema sound and was voted number one in the recording industry in 1976 (the heyday of recording) by studio professionals. Today, JBL monitors are used by Grammy winners such as Frank Fillipetti (Ray Charles, Korn, Billy Joel, Kiss) and Nate Kunkel (B.B. King, Sting, Crystal Method, Maroon 5).Component: 10″ (250 mm) dual voice coil transducerStereo inputs with high-pass outputs for satellite speakersSlot-load vented bandpass designComplements full-range Control Contractor Series systemsHigh Sensitivity: 100 dB, 1 W, 1 m
The Control SB-2 subwoofer provides low-frequency reinforcement in subwoofer/satellite systems. The Control SB-2 is ideal for foreground music and music/paging systems in restaurants, retail establishments, theme bars, music cafes, health clubs, and other indoor applications. The unique slot-load vented design provides acoustic low-pass filtering. Compared to traditional bandpass subwoofers, the JBL SB-2 subwoofer offers superior musical clarity and bass impact. The satellite outputs are high-pass filtered, reducing overall system distortion by eliminating the need for the satellite speakers to reproduce frequencies in the low bass range. The satellites operate more efficiently, maintaining excellent midrange clarity and realism in music and paging. The high-pass filtering also allows a greater number of satellite speakers to be paralleled in the system by increasing the impedance the amplifier sees in the subwoofer range. The stereo inputs are 8 ohms each. The combination of the satellite high-pass filtering, the acoustic slot load filtering and a built-in second order low-pass crossover network results in smoother overall system frequency response and virtually eliminates the muddiness typical of other subwoofer/satellite systems by reducing frequency overlap in the low midrange. You can’t go wrong with speakers from the company whose name is synonymous with cinema sound and was voted number one in the recording industry in 1976 (the heyday of recording) by studio professionals. Today, JBL monitors are used by Grammy winners such as Frank Fillipetti (Ray Charles, Korn, Billy Joel, Kiss) and Nate Kunkel (B.B. King, Sting, Crystal Method, Maroon 5).Component: 10″ (250 mm) dual voice coil transducerStereo inputs with high-pass outputs for satellite speakersSlot-load vented bandpass designComplements full-range Control Contractor Series systemsHigh Sensitivity: 100 dB, 1 W, 1 m
62A10ALCS RIM’s feature a routed IR emitter jack and include a flasher to allow you to use the remote of your source equipment in any room that has a VSC When you plug a music source into a RIM using a standard stereo input jack Place RIM’s in rooms that will have music sources that you wish to share It can be shared with any room that has a Volume-Source Control (VSC) HAI is the first built-in system that uses a Remote Input Module (RIM, shown at left), so music can be located anywhere instead of in an audio rack. RIM’s can be located throughout the house to pick up music from your home theater, kitchen TV, computer, personal music player, satellite radio, Media Center, CD player any source with an audio output. You can even put multiple RIM’s in the same room. Almond Faceplate Module HAI Home Automation, Inc Remote Input Faceplate Module www.homeauto.com
Model:NPB-246Top loading MP3/CD playerAM/FM stereo radioBuilt-in USB inputTrack programmable memoryProgram, skip, pause & repeat functionsAux-in jackRotary volume controlTelescopic antenna2 way power: DC battery power & AC power
The Roland KC-880 Stereo Keyboard Amp is the flagship of the KC amplifier series, and it’s packed with high-performance features. With 5 channels of stereo input (4 stereo channels and stereo aux in), 320W of power and Roland’s popular DSP effects already built in, the KC-880 is a portable powerhouse for keyboards, vocals, and more. The Roland KC-880 Stereo Keyboard Amplifier’s I/O includes an XLR mic input, stereo XLR outputs, a headphone out, and a Stereo Link for chaining it with other KC-880 amps.Stereo keyboard amplifier with five channels of stereo input320W stereo power amplifier12-inch woofers and two horn tweetersDSP effects (Reverb, Chorus, Tremolo, Rotary)Flexible I/O (XLR mic input, stereo XLR line outputs, headphone out), Stereo Link for chaining multiple KC-880sAccessories:Owner’s manualCaster x 4
The Roland KC-880 Stereo Keyboard Amp is the flagship of the KC amplifier series, and it’s packed with high-performance features. With 5 channels of stereo input (4 stereo channels and stereo aux in), 320W of power and Roland’s popular DSP effects already built in, the KC-880 is a portable powerhouse for keyboards, vocals, and more. The Roland KC-880 Stereo Keyboard Amplifier’s I/O includes an XLR mic input, stereo XLR outputs, a headphone out, and a Stereo Link for chaining it with other KC-880 amps.Stereo keyboard amplifier with five channels of stereo input320W stereo power amplifier12-inch woofers and two horn tweetersDSP effects (Reverb, Chorus, Tremolo, Rotary)Flexible I/O (XLR mic input, stereo XLR line outputs, headphone out), Stereo Link for chaining multiple KC-880sAccessories:Owner’s manualCaster x 4
Highlights:Records high quality stereo sound with left and right microphoneStylish black color designExtremely portable travel size and small weightProvides excellent clarity recording soundIdeal for use with portable audio recording devices with 3.5mm input microphone jackSpecification:Dimensions: 10x7x1.1cmWeight: 0.009kgPackage Contents:1 x Stereo microphone adapter
0.18 oz 20 Hz 20 kHz 47.28″ HA-F10C Stereo Earphone Hard carrying case Maximum Input Capability: 300mW (IEC) Compatibility: MP3 players The HA-F10C is the stereo earphone with convenient hard carrying case. It produces high quality sound with 13.5mm driver unit. Binaural Earbud Earphone HA-F10C HA-F10C Stereo Earphone JVC Stereo Victor Company of Japan, Limited Wired ha-f10c www.jvc.com
DUAL MECHLESS DIGITAL MEDIA RECEIVER — 60 watts; Features AM/FM receiver without CD, DIN mount, electronic tuning with 30 presets, auto station store, loudness, electronic bass, treble, balance and fader, 3-preset equalizer curves: rock, pop, classic, MP3 and WMA playback, front panel 3.5 mm input, front panel USB input, front panel SD card input, and one pair of RCA output.. Auto Parts Warehouse has extensive Dual Car Stereo catalogs.We are now offering FREE shipping on all Dual Car Stereo orders over $50.00. Our secure dual car stereo catalog is available every hour of everyday. Shop with confidence for all your dual car stereo needs. Dual Car Stereo are In Stock and available today. Save up to 60% off dealer price on your next Dual Car Stereo purchase. Our online catalog contains a wide selection of the OEM and aftermarket parts you need at unbeatable prices
DUAL IN-DASH MECHLESS IPOD DOCKING STATION — Features 2 pairs of RCA outputs, 2-character dot matrix LCD outside, 4-character LCD inside, rear aux input with included iplug, steering wheel interface input, infrared remote control, 240 watts total power, adjustable side supports, charges iPod while docked, control from iPod or head unit, AM and FM tuner with 30 presets, expansion module slot and supports every iPod except Shuffle; Bluetooth ready BTM60 equalizer required.. Auto Parts Warehouse has extensive Dual Car Stereo catalogs.We are now offering FREE shipping on all Dual Car Stereo orders over $50.00. Our secure dual car stereo catalog is available every hour of everyday. Shop with confidence for all your dual car stereo needs. Dual Car Stereo are In Stock and available today. Save up to 60% off dealer price on your next Dual Car Stereo purchase. Our online catalog contains a wide selection of the OEM and aftermarket parts you need at unbeatable prices
4 x A/V In Compact size to fit into any system No power required for easy installation 0.125″ jack on front to feed audio signals to wireless systems Works with stereo audio and both composite and S-video signals Simplifies A/V system wiring by providing single distribution point Easy to use: just press the input desired Ideal for anybody who is constantly plugging and unplugging cables Works both forward and reverse directions: 4 in and 1 out or 1 input and 4 outputs (only 1 Output active at a time) going to one of 4 devices The Model SVS-14 Audio Video Switcher lets you add additional components to your TV and home theater system by providing additional A/V inputs to your system. A/V Selector Audio In Composite Video In Home Theater S-Video In SVS-14 SVS-14 4 Input A/V Selector Sima Sima Products Corporation TV www.simacorp.com
The Roland KC-880 Stereo Keyboard Amp is the flagship of the KC amplifier series, and it’s packed with high-performance features. With 5 channels of stereo input (4 stereo channels and stereo aux in), 320W of power and Roland’s popular DSP effects already built in, the KC-880 is a portable powerhouse for keyboards, vocals, and more. The Roland KC-880 Stereo Keyboard Amplifier’s I/O includes an XLR mic input, stereo XLR outputs, a headphone out, and a Stereo Link for chaining it with other KC-880 amps.Stereo keyboard amplifier with five channels of stereo input320W stereo power amplifier12-inch woofers and two horn tweetersDSP effects (Reverb, Chorus, Tremolo, Rotary)Flexible I/O (XLR mic input, stereo XLR line outputs, headphone out), Stereo Link for chaining multiple KC-880sAccessories:Owner’s manualCaster x 4
The Roland KC-880 Stereo Keyboard Amp is the flagship of the KC amplifier series, and it’s packed with high-performance features. With 5 channels of stereo input (4 stereo channels and stereo aux in), 320W of power and Roland’s popular DSP effects already built in, the KC-880 is a portable powerhouse for keyboards, vocals, and more. The Roland KC-880 Stereo Keyboard Amplifier’s I/O includes an XLR mic input, stereo XLR outputs, a headphone out, and a Stereo Link for chaining it with other KC-880 amps.Stereo keyboard amplifier with five channels of stereo input320W stereo power amplifier12-inch woofers and two horn tweetersDSP effects (Reverb, Chorus, Tremolo, Rotary)Flexible I/O (XLR mic input, stereo XLR line outputs, headphone out), Stereo Link for chaining multiple KC-880sAccessories:Owner’s manualCaster x 4
This stereo pedal is designed specifically for instruments with active electronics and buffered effect returns. Use the A input/A output for the left channel and the B input/B output for the right channel. For use as a mono volume pedal, use the A input and A output. For use with stereo cable installations using TRS type stereo plugs, use the B input and B output.
SpecificationSpeaker:9mmImpedance:16ohmSensitivity:104dbEffective frequency band:20Hz-20KHzRated input power:3mWMax.input power:4mWPlug:3.5mm stereo plugCord length:1m
This is ultimately easy, but before explaining the process I feel it is necessary to provide a warning. Multiple sets of speakers usually can not be hooked directly to a standard audio amplifier without some sort of impedance matching device. This is in reference to those persons whom might want to run speakers in several rooms at the same time (distributed audio). If several sets of speakers are run from one set of speaker terminals the amplifier will usually overheat and shut down, and may blow the output stage (see footnote 1). These remarks do not apply to PA style amplifiers with 25 or 70 volt outputs, which require special speakers with transformers.
The correct solution is to use either an impedance matching speaker selector with the protection enabled, or use impedance matching in wall volume controls. Notice the underline in the sentence above. This is because most speaker selectors are made with a dangerous feature: a button, right in front, to disable the protection. If the switch was in back to prevent accidental deactivation of the speaker protection it would be much better. If the protection is accidentally switched off while running multiple pairs of speakers the amplifier will shut down, may blow output fuses, and very well may damage the output stage of the amplifier. There are really only 2 reasons to turn this switch off, the most relevant being that impedance matching volume controls are being used on ALL pairs of speakers. The other reason would be if only One Pair of speakers are being run, making impedance matching unnecessary. In this event, though, leaving the protection switched in will make only a very small difference to the sound, so why not leave it on?
Remember it this way: only put one speaker per pair of terminals (usually red and black) on the amplifier. Do not try to use a surround amp to feed several rooms with one room on the center, one room on the rear surrounds etc. This is due to the way a surround receiver distributes the sound as you may end up with only the voice in one room and only the music in another! The correct hookup for a surround receiver puts surround sound in the main room and sound from the left and right main speakers is distributed. My recommendation for hooking up a surround receiver is as follows. Run the speaker selector from the front left and front right outputs on the amplifier. Hook your front left & right speakers to the first speaker switch on the speaker selector. You will need to re-balance your surround system by running the pink noise test as the speaker selector will decrease the output to the left and right speakers by a small amount. This allows running the main speakers & the other speakers connected to the speaker selector without one set being louder than the others. If your speaker selector has volume controls, you need to make sure when you use your surround system for movies the volume control is at the same setting it was when doing the pink noise test. You may hook the speaker selector to the ‘b’ speaker switch on the amplifier if speaker volume balance between your main left & right speakers and the rest of the speakers is not an issue.
Another variation is amplifiers with a direct speaker output for zone 2, 3, etc. These are set up to drive 1 pair of speakers, and must be used with impedance matching if more pairs are to be used. The zone outputs allow a second (or third etc) source, for example CD in one room and radio in another.
An impedance matching speaker selector provides multiple outputs from one input, and protects your amplifier from damage. Speaker selectors come with 4-12 outputs. As long as your amp has enough power, you can push as many sets of speakers as you want. Simply connect the speaker selector to your ‘A’ (or ‘B’) outputs and the rest of your speakers on the speaker selector. You can purchase speaker selectors with volume controls for each individual speaker. Another option is in wall impedance matching volume controls, which require no speaker selector. Most of these are set with jumpers at install time, providing the correct matching. If you want to run more pairs of speakers than the speaker selectors or volume controls are made for (usually 12 pairs max. depending on the hardware) you probably want a second amplifier to run the second set of volume controls (or speaker selector) from.
So, what is impedance and impedance matching? (Warning: semi technical material ahead)
The music signal to your speakers is called alternating current (or AC), because it varies polarity and voltage. This is in comparison to a battery, for example which produces a steady, or direct current. You may picture current as the amount of water flowing in a pipe (the wire) and voltage as the water pressure. Alternating current can be imagined as a flow that reverses direction and direct current as a steady flow in one direction. The analogy is not exact but is close enough to get a picture of what is happening. Standard house current in the US reverses direction (polarity) at an interval (or frequency) of 60 times per second, measures as 60 Hz (Hertz). If you visit our site you can see this article with explanatory diagrams included.
Your speakers have a certain amount of resistance to current. Imagine the resistance as a constriction in the pipe, limiting the flow. They have a DC resistance, termed the voice coil resistance, and resistance to AC is called impedance. Resistance and impedance values are measured in Ohms. Impedance is a complex sum of dc resistances, plus the resistance to various AC frequencies caused by capacitance and inductance (normal properties of electrical and electronic devices). It is usually specified for speakers as nominal impedance, and is referenced to particular frequencies . However, Just think of it as resistance to AC for practical purposes. This is usually rated at either 8 or 4 Ohms. Most home amplifiers prefer an 8 ohm impedance. Each time another speaker is added in parallel the impedance is reduced. Visualize several pipes connected together to the same pump, obviously the flow from the pump increases (up to the limit of the pumps capability). The amplifier is the pump. Two 8 ohm speakers reduce the impedance to 4 ohms, four 8 ohm speakers reduce the impedance to 2 ohms, and so forth.
An amplifier expects (most require) a certain amount of resistance to current flow. The lower the impedance, the more current flows through the output stage of a typical amplifier. This usually flows directly through a transistor (or other amplifying device) and damages the transistor or protective resistors in the output stage. If you get lucky it only blows an output stage fuse. The moral of the story is always use an impedance matching speaker selector, (or volume control) and your amplifier will always see a safe impedance load.
1 (footnote)
Why does the amplifier output stage blow? This is due to the nature of a typical amplifier. It must first be clear that an amplifier does not actually make the input signal bigger. What it does is recreate a larger (higher current and voltage) copy of the original signal, and puts that out to the speakers. It makes this copy from the power supply voltage, which is derived from the AC from the wall outlet. This voltage must be first converted to DC. If not done efficiently the amplifier will hum (because it doesn’t know the words). The amplifier controls the power supply voltage by a sort of valve that controls the output voltage and current. These valves (transistors are usual, but may be integrated circuits, vacuum tubes, or other devices) are controlled by the input signal. In response to the input signal, the amplifying device allows more or less current (and/or voltage) flow through it to the output in an exact (hopefully) replica of the input signal. In order to have the majority of speakers work well with an amplifier, it needs a low output impedance (see the text above for a discussion of impedance). If the output impedance is too high, the frequency response will vary with the impedance of the speakers. This means that some sounds will be accented and some diminished from the levels they should be, and this effect will be different with every different set of speakers. In practical terms this means that, with the most commonly used circuit design, when the transistor (or other device) is fully on, it needs to pass almost all the power supply current available through it. This is the tricky part. The current flow is determined largely by the impedance of the speakers connected. Most amplifiers are designed to work with 8 ohm speakers, and may work into 4 ohms reasonably well. Some so called high current amplifiers may work well into 1 ohm. In other words, the amplifiers are designed that when the output transistors are passing the full current and voltage they can take, they are working into an expected value of impedance. When the impedance (ac resistance) of the connected speakers get too low, more current is allowed to pass through the amplifying device than it can take. It either burns up, or blows a fuse, or burns up emitter resistors, or some other form of damage occurs. Fusing often does not react fast enough to save the circuit. So why not design all systems to work into low impedances? Without going too far into it, this can result in huge cost increases. For example, for theoretically ideal performance into most of today’s speaker systems, an amp should double it’s power for every halving of impedance. So for 100 watts into 8 ohms, it must put out 200 into 4 ohms, 400 into 2 ohms, and 800 into one ohm(Remember,this is theoretically ideal, and almost no amplifiers can accomplish an actual doubling of power for a halving of load impedance). Most decent amplifiers today have significantly less than .5 ohms output impedance, so as to perform well with speakers that may drop to low impedances at some frequencies. Our theoretical amp, if made to operate into a .5 ohm load would need to have the capability to put out 1600 watts per channel without damaging anything (in the amplifier!). As you can imagine the cost of a good quality amplifier with this kind of capability is substantial. Now think about this: The average user of this massive amp, with 8 ohm speakers, will only see an average output wattage of 100 watts RMS (RMS stands for Root Mean Square, and is basically an average power measurement which is approximately 70 percent of peak power). For most users this would price the amp out of reach. Some amps are built to this type of standard, for the reason that there are speakers that drop as low as one ohm that sound much better if driven by a very high current amplifier. One such example is the Krell Evolution One, which is a monoblock. This means you need two for stereo. They will only set you back about $25,000 dollars each. For those who might think I am making this up, use google to find prices on Krell monoblocks.
