Neo-cons are soul complain about Obama's wife said Obama can help restore our broken?
After continuous attempts to legislate morality, trying to inject the country with funamentalist dogma, not the Neo-Cons have to stand one leg? Only they can help our souls?
Neo-cons have nothing on their failed ideology, is history, nothing less than a footnote in. If they want Michelle to attack a remarkable woman, then they really like Obama nothing. Kind of sad really.
Firmly in the boogaloo (Latin soul) era, Latino con Soul would be Barretto at his hippest — except for the pernicious strings. “Eras” is remade with a sappier, poppier sound; this time vocals are by Adalberto Santiago and Pete Bonet. Of the two fine boog
Keyboardist, producer, and creator of Los Super Reyes Cruz Martínez, formerly of Selena’s backing band and Los Kumbia Kings, is making it quite explicit whose band this is and whose show this is on the group’s second album. Where the last album merely said “Cruz Martínez Presenta Los Super Reyes,” the cover of Cumbia con Soul credits the disc to “Cruz Martínez y Los Super Reyes.” Other than that, though, not much has changed between albums. The group’s large membership (there are a dozen of them, including Martínez) continues to seem superfluous, since the music is primarily driven by synth grooves and rhythms that could easily have been programmed. There are a few new sonic touches on this album — some Auto-Tune here and there, and two songs in English. But for the most part, the group sticks to its blend of techno, cumbia, pop R&B crooning, and the currently ascendant Latin sound, bachata. The trouble is, none of these songs — not even “Sin Tu Amor,” which straight-up rips its hook from Lady GaGa’s “Poker Face” — are as catchy and addictive as “Muevelo,” the single that launched Los Super Reyes in 2007. Maybe that’s why this album closes with the English-language “Go Ahead Girl” and “Something About Her”; Martínez figures that if crossing over to dance clubs is the move, as reggaetoneros like Wisin y Yandel and Don Omar have figured out on recent albums, then English lyrics can only be the logical next step. Don’t be surprised to hear about an album by Cruz Martínez and the Super Kings. ~ Phil Freeman, Rovi Performers: Reynold “Reyno” Martínez – Bajo Sexto, Keyboards, Guitar; Cruz Martínez – Accordion; Alex Flores – Keyboards; Freddie Martínez – Keyboards
Disc 0:No track list availableDisc 1:BilongoLove You (Eras)Trompeta y Tromb nBoogaloo Con SoulDo You Dig It?Picor, ElMismo Que a Usted, LoFuego y Pa`lanteHappy Birthday Everybody
Poncho Sanchez’s long string of recordings for the Concord Picante label are all easily recommended to fans of Afro-Cuban and Latin jazz. On this fine effort, Sanchez’s octet welcomes guest Tito Puente (heard on timbales) to “Ti-Pon-Pa” and “Lover, Come Back to Me.” Otherwise, one hears Sanchez’s regularly working band, a group that features trumpeter Sal Cracchiolo, trombonist Arturo Velasco, the reeds of Gene Burkert, pianist Charlie Otwell, bassist Tony Banda and three percussionists; several songs have group vocals. Otwell contributed five spirited originals, which are joined by such numbers as Cal Tjader’s “Soul Burst,” “Will You Still Be Mine” and a medley of “Cold Sweat” and “Funky Broadway.” Accessible and very danceable music that is also creative within the boundaries of the popular idiom. ~ Scott Yanow, Rovi Performers: José Papo Rodríguez – Vocals (Background), Bongos, Vocals, Percussion; Poncho Sanchez – Conga, Vocals, Percussion; Sal Cracchiolo – Flugelhorn, Trumpet; Tito Puente – Timbales; Arturo Velasco – Vocals (Background), Trombone, Vocals; Charlie Otwell – Piano; Gene Burkert – Sax (Tenor), Sax (Alto), Flute; Ramon Banda – Timbales, Drums;
When the Lone Hill Jazz reissue label took on most of the many collaborative albums by alto saxophonist Johnny Hodges and organist Wild Bill Davis, the project extended over several volumes, including Mess of Blues, Blue Hodge, and Joe’s Blues. Released in 2007, Con-Soul & Jazz/Wild Bill Is the Boss! is the only double-disc set in the series. This hefty helping of groove-oriented mainstream organ combo jazz combines the albums Con-Soul & Jazz, In Atlantic City, and Blue Pyramid, which date from the years 1965 and 1966. The compilation is rounded off with selections from the albums Blue Notes and Sandy’s Gone, bringing the scope of the time line back to 1963. The Atlantic City recordings were made at a club called Grace’s Little Belmont, and the Blue Notes album was taped about a week later in mid-August 1966. These would be the last of the Davis/Hodges collaborations, a fortuitous meeting of minds which began in August 1961 with the album Blue Hodge and ended almost exactly five years later. ~ arwulf arwulf, Rovi Performers: Joe Venuto – Shaker, Vibraphone; Bob Cranshaw – Bass; Bobby Durham – Drums; Carl Lynch – Guitar; Dickie Thompson – Guitar; Donald Ashworth – Clarinet (Bass), Sax (Baritone); Ed Shaughnessy – Drums; Eric Gale – Guitar; Ernie Royal – Trumpet; Frank Wess – Flute, Sax (Alto); George Duvivier – Bass; Grady Tate – Drums; Hank Jones Great Jazz Trio – Piano; Herb Lovelle – Drums; Jerome Richardson – Piccolo, Sax (Alto), Flute; Jimmy Hamilton – Sax (Tenor), Clarinet; Joe Newman – Trumpet; Johnny Hodges – Sax (Alto);
Raine Benares is a seeker who finds lost things and people. Ever since the Saghred, a soul-stealing stone that’s given her unlimited power, has bonded to her, the goblin king and the elves have wanted to possess its magic themselves. Which means a goblin
Run by Zell Sanders, the J&S label was a very small New York company that nonetheless released quite a few R&B, doo wop, rock & roll, girl group, and soul discs in the 1950s and 1960s, even in the absence of notable commercial success. J&S Harlem Soul con
Track Listing: Santi`s Africaleidescope Monte Adentro Stella By Starlight Broadway Local Con Alma Crescent Fee Fi Fo Fum Evidence La Coneja Loca Gotcha Soul-Leo
Track Listing: Don`t Cry For Louie Remember Puerto Rico Johnny Moonshiner Lord Help Me Please Lay Your Hands Lulu`s Song Just A Friend Of Mine I Sold My Soul One Silver Dollar Philadelphia
Like several ’60s soul compilations on the Kent label, the concept is vague enough to elude the grasp of all but those who are quite immersed in the most dedicated corner of soul record collecting. It has “club and turntable hits from the golden age of American soul music,” according to the back cover, though that really applies to British clubs and turntables, not American ones. The liner notes also intimate that soul compilations issued as part of the series “Bell’s Cellar of Soul” in the 1960s served as an inspiration. They also claim that the 26 songs on this CD “are now entirely familiar sides,” though that claim probably only holds water in some specialized British clubs and collector circles. None of these songs were big hits (with the exceptions of the Intruders’ “Cowboys to Girls” and possibly James & Bobby Purify’s “Let Love Come Between Us”), and most of them in fact weren’t even small hits. Ultimately, it’s a reasonably high-quality anthology of obscure (to the general listener) 1960s soul music, though one lacking the strongest of thematic linkages. The tenor tends toward the upbeat and danceable, though also, frankly, the generic and also-ran. Some cuts rise above that tag, like Rodger Collins’ infectious “She’s Looking Good,” which has a Wilson Pickett-ish funky uptempo feel; Brooks O’Dell’s “You Better Make Up Your Mind,” which has an orchestrated moody drama that largely eludes these anthologies; Little Richard’s 1967 single “Get Down With It,” one of his best post-’50s sides; Tina Britt’s “The Real Thing,” one of the best Martha & the Vandellas sound-alike songs (though the Chiffons did a better version); and the Dreamlovers’ “You Gave Me Somebody to Love,” a highly credible Righteous Brothers imitation. On the other hand, some tracks are too imitative to even generate slight admiration, like Bob Brady & the Con Chords’ transparent Miracles knockoff “Everybody’s Going to the Love-In.” Rounding up the call of the more notable inclusions are the quality blue-eyed soul of Lonnie Mack on “Save Your Money”; Clifford Curry’s “She Shot a Hole in My Soul,” which must be one of the songs most frequently cited as a lost cult gem; Barbara Lynn’s smooth 1966 version of “You Left the Water Running”; and O.V. Wright’s original 1964 version of “That’s How Strong My Love Is,” though the track is so different from the renditions by Otis Redding and the Rolling Stones that it sounds almost like another song altogether. ~ Richie Unterberger, Rovi
Raine Benares is a seeker who finds lost things and people. Ever since the Saghred, a soul-stealing stone that`s given her unlimited power, has bonded to her, the goblin king and the elves have wanted to possess its magic themselves. Which means a goblin thief and her ex-fianc -an elven assassin-are after her. To survive, she`ll need the help of her notorious criminal family.
It happens every once in a while, that day when your Nintendo Wii just does not want to turn on. There are multiple problems that can cause your Wii to not turn on. Within this article we are going to cover the most common problems and explain how to correct them.
The first problem that most be people seem to overlook that causes their Wii to not turn on, is a tripped fuse. This happens when too much energy is drawn from an electrical outlet in a room, too much power being drawn causes the fuse to “trip” and prevent more power from going through the outlet that “tripped” the fuse. This is a pretty easy fix. Go find the circuit breaker box in your home; it’s usually a silver or black box in the garage or basement that has a bunch of switches inside of it. Once you’ve located the box, push on each “fuse” (They look like left / right flipping switches) in the direction that they are facing. If you find a switch that jiggles, clicks or moves a Little Bit when you push on it, you’ve discovered the fuse that has been “tripped”. Now simply push the fuse to the opposite direction that it’s facing and you have re-enabled electricity to flow through your electrical outlet that was not outputting power.
Another electrical problem that can cause your Wii to not turn on is a power outage. After a power outage, your Wii may not turn on if it was plugged in and turned on when the power first went out. To fix this, you will need to unplug the power cord and then unplug every cord connected to the Wii. Let the system sit, unpowered for 5 – 10 minutes. This will cause your Wii system to reset and your problem should be fixed. If your Nintendo Wii still won’t turn on, you may have a fried AC adaptor/power cord. So before sending your Wii to Nintendo to get it fixed, buy a new power cord off of eBay for $5 – $10, or purchase one from your local video game store.
If the above 2 methods don’t solve your problem, try playing your Nintendo Wii in another room, or plugging your power cord into a different power outlet.
